In 2020 I published an edited collection with Routledge: A Companion to Digital Humanities and Art History.
The volume focuses not only on new computational tools that have been developed for the study of artworks and their histories, but also debates the disciplinary opportunities and challenges that have emerged in response to the use of digital resources and methodologies. Chapters cover a wide range of technical and conceptual themes that define the current state of the field and outline strategies for future development. The book offers a timely perspective on trans-disciplinary developments that are reshaping art historical research, conservation, and teaching.
Related publications and Presentations:
(co-authored with Elspeth Mitchell), ‘Feminist Digital Art History’ in Companion to Digital Humanities and Art History, ed. Kathryn Brown, Routledge, 2020.
‘Interactive Digital Books and Interpretive Play’ in Word & Image Interactions (forthcoming, Brill).
The Digital Artist’s Book: From Object to Event, International Association of Word & Image Studies Annual Conference, Lausanne, July 2017.
‘Contingent Texts: Playing with Digital Artists’ Books’, Engaging with Screens: Art, Archive, Book, Loughborough, May 2017.
‘Computer Art and the Cosmopolitan Imagination’, (ed.) K. Brown, Interactive Contemporary Art: Participation in Practice (I.B. Tauris), 37–56.