My latest book is entitled Matisse’s Poets: Critical Performance in the Artist’s Book (Bloomsbury Academic, Summer 2017). Throughout his career, Henri Matisse used imagery as a means of engaging critically with poetry and prose by a diverse range of authors. My book offers a new account of Matisse’s position in the literary cross-currents of twentieth-century France and explores ways in which reading influenced the artist’s work in a range of media. This study argues that the livre d’artiste became the privileged means by which Matisse enfolded literature into his own idiom and demonstrated the centrality of his aesthetic to modernist debates about authorship and creativity. By tracing the compositional and interpretive choices that Matisse made as a painter, print maker, and reader in the field of book production, this study offers a new theoretical account of visual art’s capacity to function as a form of literary criticism and extends debates about the gendering of twentieth-century bibliophilia. This book also demonstrates the importance of Matisse’s self-placement in relation to the French literary canon in the charged political climate of the Second World War and its aftermath. Through a combination of archival resources, art history, and literary criticism, this study offers a new interpretation of Matisse’s artist’s books and will be of interest to art historians, literary scholars, and researchers in book history.
My related publications include:
‘Against Autobiography: Henri Matisse’s Writings on Art’ in Life Writing (Taylor & Francis) (May, 2014).
‘Influence as Appropriation of the Creative Gesture: Matisse’s Poèmes de Charles d’Orléans’ in (eds), Thomas Baldwin, James Fowler and Ana de Medeiros, Questions of Influence in Modern European Literature (Palgrave Macmillan, 2013), pp. 84–97.
‘Enacting Beauty: Baudelaire, Matisse, and Les Fleurs du mal’ in K. Brown (ed.), The Art Book Tradition in Twentieth–Century Europe (2013, Ashgate), pp. 31–44.
Book Review: Stephanie d’Alessandro and John Elderfield, Matisse, Radical Invention: 1913–1917 in Print Quarterly, XXIX, 1/2012, pp. 66–9.
Related conference presentations and invited papers include:
‘Henri Matisse’s Pasiphaé: Myth, Politics, War’, The Grolier Club, New York, 20 June 2017
‘Dessiner les mots, entendre la couleur: Matisse, Jazz, et «l’echec» du livre’: École normale supérieure, Paris, Séminaire Texte et Image, Groupe de Recherche (November, 2016)
‘Ethics and Interpretative Violence: Matisse’s Unpublished Illustrations for Mallarmé’s L’Après-midi d’un faune’, Society for French Studies Annual Conference (Glasgow, June, 2016).
‘Henri Matisse’s Jazz on the Edge’: Scottish National Gallery of Modern Art/University of Edinburgh (December, 2014).
‘Performing Civic Virtue in the Artist’s Book: Henri Matisse’s Pasiphaé’, Annual Conference of the Society for the History of Authorship, Reading and Publishing (Antwerp, September, 2014).
Henri Cartier-Bresson, Matisse in his Studio (1944).